Maries Georges Jean Méliès
was born in Paris in 1861 and from a very early age he showed a particular
interest in the arts which led, as a boy, to a place at the Ecole des Beaux
Arts in Paris where Méliès showed particular interest in stage design and
puppetry. Méliès worked full time as a theatrical showman whose performances
revolved around magic and illusionist techniques which he studied while in
London as well as working on his own tricks.
Méliès’ principle contribution to cinema was the
combination of traditional theatrical elements to motion pictures - he sought
to present spectacles of a kind not possible in live theatre.
In the Autumn of 1896, an event occurred which has since
passed into film folklore and changed the way Méliès looked at filmmaking.
Whilst filming a simple street scene, Méliès camera jammed and it took him a
few seconds to rectify the problem. Thinking no more about the incident, Méliès
processed the film and was struck by the effect such a incident had on the
scene - objects suddenly appeared, disappeared or were transformed into other
objects.
Méliès discovered from this incident that cinema had the
capacity for manipulating and distorting time and space. He expanded upon his
initial ideas and devised some complex special effects.


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